You can install the KXStudio apps by first setting up the KXStudio repo in your package manager. This is extremely useful if your DAW only supports VST plugins but you want to use LV2 plugins too – Carla acts as a VST-LV2 bridge in this case. The reason Carla is so crucial for me is that it can be loaded not just as a standalone app but also as a Linux VST. There’s even a way to load Windows VSTs with it but I haven’t taken the time to figure that out – I’m happy with Linux-native software currently. CarlaĬarla is a plugin host that can load up various Linux synths and effects. It launches automatically when I boot, so I can then launch my DAW and get straight to doing music. It performs system checks, manages JACK, calls other tools and make system tweaks. There are quite a few tools in KXStudio so here are the ones I find especially useful: CadenceĬadence is a set of tools for audio production all in one application. I’ve been using KXStudio applications to deal with audio on my Linux music workstation. Think they have PipeWire now and of course KDE so I’m thinking to switch to Ubuntu Studio next time I nuke and pave.įor Arch-based distros, the AUR has an impressive selection of audio software. If you just want sane defaults for audio work then Ubuntu Studio gives you get the low latency kernel and other audio tweaks set up by default. XFCE and MATE are two other lightweight and popular desktop environments worth trying. Of course audio software demands that your desktop environment be as lightweight as possible. I find KDE Plasma to be familiar, fast, with possibly too many options for customisation. The distro I’m using is KDE Neon which is based on Ubuntu. To replicate my setup you want any Debian-based distro so you can use the KXStudio repository (more about the KXStudio suite of tools later). Which Linux distribution is a personal preference and I can’t hope to do the question justice. It’s my preferred MIDI controller I even prefer it over the AXiS-49! There’s something about the traditional 1-D style keyboard that feels natural to play. I bought a second hand M-Audio Keystation 88es for 50 quid. It just plugs in via USB and my system recognises it instantly as a MIDI input device. The keys are all nerdy lil hexagons, it’s cute. Isomorphic keyboards such as my C-Thru AXiS-49 work well for microtonal music because scale and chord fingerings remain the same in each key, whereas a standard MIDI keyboard requires you to learn a different fingering for each key. USB MIDI keyboards seemed to universally work for me on Linux. I just got a cheap one that said it was USB class compliant. If you want to record in from microphones or hardware synths then you’ll also want to get an audio interface. I have some kind of Intel Core i7 and 16GB DDR4 RAM. You could probably get away with using a few year old laptop for sure. I also cover many alternative software choices here as your preferences might differ to mine. The workstation runs Linux, Bitwig Studio and various audio plugins. This article explains some software and hardware I used to write a few of my albums.
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